Before there was BCT, there was the 5X5. Actually, the 3X3 came first, which makes sense numerically. Anywho. Decades later, this reading series is still one of the highlights of our theater! We love the immediacy and intimacy of our 5X5 Reading Series. Join us this year to celebrate brave new stories by fierce new writers served up straight off the page by some of the finest actors from Boise and around the USA. Many future BCT productions are road-tested as a 5X5, making it a unique opportunity for theater lovers to experience how a new play goes from page to our BCT MainStage.
5X5 Reading Series
24|25 Readings:
- Monday, Oct 7, 2024, 7:00 PM
- Monday, Dec 9, 2024, 7:00 PM
- Monday, Jan 27, 2025, 7:00 PM
- Monday, Mar 10, 2025, 7:00 PM
- Monday, Apr 28, 2025, 7:00 PM
Next 5X5 Reading:
Ken Ludwig's
Dear Jack, Dear Louise
U.S. Army Captain Jack Ludwig, a military doctor stationed in Oregon, begins writing to Louise Rabiner, an aspiring actress and dancer in New York City, hoping to meet her someday if the war will allow. But as the war continues, it threatens to end their relationship before it even starts. Tony Award-winning playwright Ken Ludwig (Baskerville: A Sherlock Holmes Mystery, Lend Me a Tenor) tells the joyous, heartwarming story of his parents’ courtship during World War II and the results are anything but expected.
Only $15 ($10 Students)
Directed by and starring Tess Makena and Chris Carwithen
Cast
Tess Makena and Chris Carwithen
Ken Ludwig has had six productions on Broadway and eight in London’s West End. His 34 plays and musicals are staged around the world and throughout the United States every night of the year.
His first play, Lend Me a Tenor, was produced on Broadway and in London by Andrew Lloyd Webber. It won two Tony Awards and was called “one of the classic comedies of the 20th century” by The Washington Post. Crazy For You was on Broadway for five years, on the West End for three, and won the Tony and Olivier Awards for Best Musical. It has been revived twice in the West End and is currently touring Japan. Since its European premiere at Chichester Festival Theatre in 2022, Ludwig’s adaptation of Agatha Christie’s Murder on the Orient Express has had hundreds of international productions.
He has been commissioned to write plays by Agatha Christie Limited, the Royal Shakespeare Company, The Old Globe Theatre, and the Bristol Old Vic.
For more information, see his website at www.kenludwig.com.
“Ken Ludwig’s Dear Jack, Dear Louise” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com
Reviews
“Strikes the touchstones of the online dating age with uncanny precision.” –The Washington Post
“Ludwig’s play, though about a particular moment in his personal history as well as our collective history, also resonates today. Dear Jack, Dear Louise is a moving, funny, and heartbreaking reminder of what we should strive to become, individually and as a country.” –BroadwayWorld
“Moving and cinematic… The play, based on the correspondence of Ludwig’s parents-to-be, crackles with humor and real feeling.” –DC Theatre Scene
Upcoming 5X5 Readings:
- Monday, Jan 27, 2025, 7:00 PM
- The Shark Is Broken
written by Ian Shaw and Joseph Nixon - CAST:
- Nick Garcia as Roy ScheiderJake Atkinson as Richard DreyfussJoe Golden as Robert Shaw
- The Shark Is Broken
- Monday, Mar 10, 2025, 7:00 PM
- Monday, Apr 28, 2025, 7:00 PM
- Mother Play
by Paula Vogel
- Mother Play
- Seating is General Admission
-
- Single Ticket – $15.00 | Students – $10.00
- 5X5 Reading Series Pass: $50 | Students – $30
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5X5 Reviews
5X5 Reading Series Sponsors
Past Performances:
Wipeout
by Aurora Real de Asua
Directed by Jennifer Stockwell-Fortner
For her seventy-seventh birthday, Gary knows exactly what she wants: to go surfing. There’s only one problem: She’s never touched the water. But with the help of a hot-rod teenage surf instructor and her two best friends, Gary’s ready to conquer the unknown. Taking place on surfboards in the Pacific Ocean, Wipeout is a septuagenarian surf comedy about what it takes to hang ten.
“As a young surfer, I’d be paddling hard, getting ready to catch my wave, only to find a blissed-out grandmother already hanging ten. That’s what I love most about surfing. Anybody – any body – can do it. The ocean is our great equalizer,” said playwright Aurora Real de Asua. “It has a way of revealing the truth, of disintegrating the boundaries we place around ourselves and each other. This play is my love letter to the joys of surfing, the power of the ocean, and the tenacity of female friendship.”
Only $15 ($10 Students)
Cast & Crew
Jennifer Stockwell-Fortner – DIRECTOR
Patti O’Hara – CLAUDIA
Becky Borczon – WYNN
Alice Nelson – GARY
Logan Leavitt – BLAZE
Aurora de Asua is a Basque-American playwright, performer, and filmmaker based in New York and Chicago. Her plays include WIPEOUT (2024 NNPN Rolling World Premiere with productions at Rivendell Theatre, B Street Theatre, and Gloucester Stage Company; MTC Ted Snowdon Reading; Agnes Nixon Award), APING JANE (UCROSS Future of Playwriting Finalist); THE PRIDE BEFORE (sideshow commission); WET (The Playwright’s Realm Scratchpad Ink Series, Agnes Nixon Award); THE HAIRS IN BETWEEN FRIDA KAHLO’S EYEBROWS. Her work has been developed at the Williamstown Theatre Festival, The New Harmony Project, The Old Globe, Chicago Children’s Theatre, and Rivendell Theatre. Commissions include MTC’s Sloane Foundation Grant, South Coast Rep’s Elizabeth George Commission, sideshow, and Greenhouse Theatre. She is a graduate of Northwestern University where she studied playwriting under Laura Schellhardt. She has an M.F.A. in film from Columbia University.
A Jeff-nominated actor, Aurora was chosen by the Chicago Tribune as one of the Hot Young Faces of Chicago theatre in 2019. aurorarealdeasua.com
WIPEOUT was developed through Rivendell’s FRESH PRODUCE new play series directed by Devon de Mayo in August 2022 and at The New Harmony Project 2023.
Reviews
“…These ladies are not just experiencing the navigation of the waves and current, but in fact, they are learning to navigate their friendships, their fears and where they are in their lives. While the subject matter is indeed about surfing and their being able to overcome their fear of same, the truth is the basic story is about their lives, past and present, and even a little into the future. ” — Alan Bresloff, AROUND THE TOWN CHICAGO
“WIPEOUT is about so much more than simply catching a wave and surfing, although the journey these women take to learn the sport is a metaphor. It cleverly mirrors the journey in life that people take and, at a certain age, reflect upon. The distance traveled, the people we meet and the experiences we glean make life a rich tapestry of wonder. Aurora Real de Asua sees that. She is a name to remember because I think she’s going to have a shining future as a brilliant, new playwright.” — Colin Douglas, CHICAGO THEATRE REVIEW
“…Mirthful and snappy quips and zingers make up the bulk of the women’s conversations and keep the show afloat. While serious topics act as tent poles for the plot, most of the interaction relies on jokes and absurdities delivered in a rapid and well-timed manner. Some of them are real gut-busters, like when Gary laments about wanting to surf as a kid, but that “my mother wouldn’t let me. She couldn’t take the patchouli!”” —Tristan Bruns, NEWCITY CHICAGO
“A brilliant story told in real time. A play about long-time friends and how important it is to grow old with people you love. This is a play that features characters that we just don’t see on stage that often. Loved how complex these characters were and how they are so much deeper than we originally assume. A hysterical and moving play… —Shaun L.
WIFE OF A SALESMAN
by Eleanor Burgess
Cast & Crew
Joe Conley Golden
(Director)
Jennifer Stockwell-Fortner
(The Wife)
Lex Gonzalez
(The Mistress)
Emily Mahon
(Radio)
Benjamin Burdick
(Radio)
Jeanna Vickery
(Radio)
“Wife of a Salesman” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
Martyna Majok was born in Bytom, Poland, and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama for her play, Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Awards include The Academy of Arts and Letters’ Benjamin Hadley Danks Award for Exceptional Playwriting, The Lucille Lortel Award for Outstanding New Play, The Greenfield Prize as the first female recipient in drama, The Champions of Change Award from the NYC Mayor’s Office, The Francesca Primus Prize, two Jane Chambers Playwriting Awards, The Lanford Wilson Prize, The Lilly Award’s Stacey Mindich Prize, Helen Merrill Emerging Playwright Award, Charles MacArthur Award for Outstanding Original New Play from The Helen Hayes Awards, Jean Kennedy Smith Playwriting Award, ANPF Women’s Invitational Prize, David Calicchio Prize, Global Age Project Prize, NYTW 2050 Fellowship, NNPN Smith Prize for Political Playwriting, and Merage Foundation Fellowship for The American Dream.
Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University.
Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for HBO, Plan B, and Pastel.
Sanctuary City
by Martyna Majok
- Monday, Mar 11, 2024, 7:00 PM
Full-length Drama
In post-9/11 Newark, NJ, two teenagers who were brought to America as children become one another’s sanctuaries from harsh circumstances. When G becomes naturalized, she and B hatch a plan to marry so that he may legally remain in the country and pursue the future he imagines for his life. But as time hurtles on and complications mount, the young friends find that this act challenges and fractures the closest relationship either has ever had.
Only $15 ($10 Students)
Reviews
“A work of majestic beauty that rips your heart out...” —TheaterMania
“Trenchant, gleeful, disorienting, Sanctuary City snaps with surprises, incandescence and rage.”
— NEW YORK TIMES
“Even amid poignant moments, [Majok] is able to find humor. She doesn’t shy away from showing people at their messiest.” —Forbes
SANCTUARY CITY is presented through special arrangement with TRW PLAYS 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.trwplays.com
Cast
Black Bear Island |
Feb. 5, 2024 Runs ~90 mins When her estranged childhood sweetheart mysteriously dies, Amitra returns home after a sixteen year absence to Black Bear Island, which legend says is haunted by a monstrous man-killing bear. As she searches for the truth, the forest begins to engulf the house and her past begins to collide with the present as her memory starts to unfog. This gothic magical-realism suspense thriller explores regret, the unreliableness of our own memories, and the paths we choose to become who we are. |
CAST
Amela Karadza (AMITRA)
Jovani Zambrano (WARREN)
Zoe Kelly (RUBY)
Patti O’Hara (MARJORIE)
Alyssa Stadtlander (GIRL)
Keenan Roark (BOY)
Bennett Huhn (FINN)
John Wicks (DENNIS THE UPS GUY/THE MAN)
CHARACTERS
AMITRA – early 30’s, she/her. Always on the run. Has a deep scar from temple to jaw.
WARREN – early 30’s, he/him. Bearded, Charming, and Dead™.
RUBY – pre-teen, she/her. Woods-wise, operates on animal instinct. Mistrusts adults. Hates you.
MARJORIE – 40’s, she/her. The Friendliest Neighbor You Never Wanted. Texan accent. Talks fast, listens less.
GIRL – 16 years old. she/her. Free-spirited, sharp, reckless, and deeply angry.
BOY – 16 years old. he/him. Anxious, logical, very “in love” and not sure what the f*ck to do about it.
FINN – 12-13 years old. he/him. BOY’s little cousin. Annoying af.
DENNIS THE UPS GUY – he/him. Not paid enough for the amount of shit he deals with.
THE MAN – 30’s, he/him. Clever, ruthless, desperate.
SNOW FEVER: A Karaoke Christmas
by Robert Caisley
Directed by Benjamin Burdick
Dec. 4, 2023. Runs ~two hours, including intermission. Join us for drinks at our lobby bar during intermission!
They’re running low on food, the toilet’s busted, and the jukebox is on the fritz. But come hell or high snowfall, a small band of co-workers and malcontents are determined to make this Christmas at The Wet Whistle (a backwater Montana bar) nothing like the last. Will everything work out? Will everything fall apart? Only determination and karaoke can save this holiday party!
Robert Caisley is chair of Theatre Arts, a professor of theatre, and head of the Dramatic Writing Program at the University of Idaho. GO VANDALS!
SNOW FEVER: A KARAOKE CHRISTMAS is currently a National New Play Network Rolling World Premiere. The author wishes to thank the Idaho Commission on the Arts and the National Endowment for the Arts for support during the writing of this play.
Cast
Monday, Oct 16, 2023, 7:00 PM
On The Other Hand We’re Happy
By Daf James
Directed by Christian Telesmar*
Run Time: ~90 minutes with NO intermission.
FEATURING the full cast of the critically acclaimed 2022 Rogue Machine Los Angeles Production:
Rori Flynn
Alexandra Hellquist
Christian Telesmar*
Directed by Christian Telesmar*
Rori Flynn
Alexandra Hellquist
Christian Telesmar*
Set in the present across multiple locations in England, this is a play about love, hope, and redemption. Award-winning Welsh playwright Daf James has crafted a story around a young couple’s dreams of adopting. When an unforeseen turn of events upends their goals, plans must be adjusted. Life is tough, but even the worst of it can be laugh-out-loud funny.
“The structure, the dialogue, the muscularity of the story, the effortless-ness, and the complexity simply staggered me.”
-Cameron Watson, director of the 2022 Rogue Machine Los Angeles Production
“Powerful storytelling from a dense and moving script …beautifully, searingly, deep. It’s a riveting and intimate 90 minutes.”
–Larchmont Buzz
“Theatre allows us to experience other lives, to know what we could otherwise never know. Art is a necessary window. …Abbie and Josh are everyday heroes who make a difference. Kelly’s heroism breaks my heart and gives me hope.”
-John Flynn, Rogue Machine Artistic Director
“…a play where love, hope, and redemption intertwine to make us think and …laugh, no matter what life throws at us.”
–Glamgical
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
- Monday, May 1, 2023 | 7PM
- TUESDAY, March 14, 2023 | 7PM
by Mara Nelson-Greenberg
Directed by Lily Yasuda
Strong language, sexual references and suggestions of physical violence. (But also SUPER FUNNY).
- February 6, 2023 | 7PM
Pipeline by Dominique Morisseau
Runs ~90 mins with no intermission
- December 19, 2022 | 7PM
Miracle on South Division Street (Holiday Version) by Tom Dudzick
Directed by Jessica Ires Morris
- November 7, 2022 | 7PM
Heroes of the Fourth Turning by Will Arbery
2020 Pulitzer Prize for Drama Finalist
2020 Obie Award for Playwriting
Lucille Lortel Award for Outstanding Play
New York Drama Critics Circle Award for Best Play
Outer Critics Circle John Gassner Playwriting Award