The Thanksgiving Play

Reviews:

“FastHorse effectively roasts her characters as turkeys, trussed by their own self-consciousness. In a swift 90 minutes, The Thanksgiving Play delivers solid laughs at the expense of targets that are admittedly, at this point, not unfamiliar: clueless liberals so busy holding space that they don’t get around to filling it with anything. What the play doesn’t do is provide much sense of a better solution to the questions that its hapless theater folks are stultified by. This absence leaves you with a question, at the end, that is double-edged: Where the representation of identity and history are concerned, is nothing good enough?”
          –Adam Feldman, Time Out New York

“…by the time the bloody tale of the Pequot massacre is enacted onstage, you may find yourself agreeing with Logan, of all people. Being a vegan, she already struggles with the “holiday of death”; I wanted to disown it entirely, from the turkeys all the way back to the Pilgrims. But “The Thanksgiving Play” is not primarily a brief for correcting American history. Like Tracy Letts’s “The Minutes,” which also uncovered a horrific massacre hiding in the clothing of civic pageantry, FastHorse is interested in how new information (new only to some people) might change the stories we tell in the future. The first step, to judge by the absurd crew onstage, will be to change the storytellers. FastHorse being the first Native American woman known to have a play produced on Broadway, maybe we’ve finally started.”
          –Jesse Green, The New York Times